You twitch in your sleep.
At first, your face is peaceful,
a swell of silence, a blank lullaby,
waiting, twiddling its thumbs for lyrics
written by Queen Mab's calligraphy.
Instead, the honest Puck
Sneaks up with dustings of tripped
Up fairy musk, curling up
Your nose with its more or less distasteful
Like an old dog twitching at a
Bad dream, you shoo away Hermia's
Irksome trouble, or at least, you try.
It frightens me a little, the way
Your body stutters, as if the
Weird Sisters are casting Macbeth's
Prophecies, and nights of
If I could, I would brush away
The spider beds, inked with dew and anxieties
From your head.
I love to see the lullaby when you sleep.
My face hits something hard as I fall out from the mirror. There's a sickening crack and blood and bits of teeth fill my mouth, and I almost pass out from shock. I welcome the pain. It reminds me I'm real again.
Dim orange light reveals a row of toilet stalls. Guttural whisperings echo from the mirror.
"You've lost him."
"It doesn't matter."
"He was our best."
"We'll replace him."
I shrink back against the wall, become one with the shadows under the sink. Whatever their words, I know they'll come for me. They always do.
In the parcel of land once known as North America, ravaged by drought, storms, floods and war, a new country is born. It is called Panem, and in it lives a teenager faced with an impossible decision. There are few other options. The government has seen to that. Every year, two children from each of the 13 districts are chosen to participate in the Hunger Games, a televised fight to the death. Your name is called. You go...unless someone volunteers to go in your stead.
Norwegian Wood by Haruki Murakami (his book of success) is a realistic fictional story based on the life of a college student, who reminisces about his life in the 1960's.
Readers are transported from the famous Beatles song to the single person perspective world of the narrator, Toru Watanabe.
The book begins with Toru having a hard time writing about his most intense memories.
Few Nebraska filmmakers have enjoyed the success that Omaha native Alexander Payne has. The film maker is most known for his comedy-drama films "About Schmidt" and "The Descendants." But those aren't his only films. The UNO alumnus had his eye on Payne from the beginning when Payne made his directorial debut in 1991 with his student thesis film "The Passion of Martin."