Modern and historical references combine for dramatic contrast in Hardcore Painting: Confessions and Premonitions by Julie Farstad and Jessie Fisher, the UNO Art Gallery's first fall semester exhibition. The exhibit, which features contemporary paintings, began Aug. 26 and will end Sept. 28.
Farstad and Fisher are both assistant professors of painting at the Kansas City Art Institute. As a feminist painter, Farstad portrays influences of popular culture and psychoanalysis of girlhood drama in her work. In contrast, Fisher's figurative painting and use of rich color resembles the late Renaissance era.
Chris Raschka had a monumental decision to make. He could either go to medical school, which would mean closing his sketch books for the next 10 years, or he could take a leap of faith into an art career.
Among those works in the current issue of "The Paris Review," which shows artistic interpretations of women by women, are prints made by Wanda Ewing, assistant professor in the University of Nebraska Omaha's College of Communication, Fine Arts and Media. Ewing is the first Omahan ever featured in the magazine, which began in 1953—about 200 issues ago. The artistic works of "Women by Women" range from photography to Ewing's prints on found wallpaper. The collection came close to not including Ewing's work at all.